journalism

Oxford (Comma) Debate: Is the Serial Comma Really Necessary?

By Dave Pezza and Matt DiVenere

Watching Dave Pezza and Matt DiVenere debate in an email chain is like marveling at a couple of old men try to club each other with their canes. Arms and legs flailing madly, dentures flying out of mouths, and no actual damage done owing to the physical infirmity of the contestants. Enjoy their most recent swashbuckling over the beloved Oxford comma.—Daniel Ford

Dave Pezza: Summation of my argument: I use the Oxford comma, or serial comma, because I am not a neo-fascist, white-privileged stooge of the boys' club known as journalism.

Matt DiVenere: The Oxford comma is for lazy writers who are too drunk to not realize they're rambling on and on. Or they just have a blatant disregard for the reader and are arrogant enough to think the reader will figure it out. Don't be lazy and rewrite your sentence.

Dave: That is inaccurate. The serial comma’s use is recommended by almost every major English style guide and non-journalistic based publishing house in the United States. Those who do not use the serial comma feel as though they belong to a long line of prestigious writers and journalists and have such an uncanny affinity for writing that their syntax never errs on the side of confusion. Therefore, their prose needs not that lowest and most plebeian of punctuation: the serial comma. And that is ironic, because most journalistic publications are written at an eighth- to 12th-grade reading level. And that very same comma would be added to any eighth to 12th graders’ paper.

So please, for the love of writing, stop purporting this high-handed, Machiavellian trope of superior writing and the common man’s inability to follow prose otherwise. It is demeaning, and those who think this way are very much in the minority. But I suppose that makes sense, the small minority pretending that it alone knows what is best for the whole.

Matt: Almost everyone thought the earth was flat.

Almost everyone thinks global warming is a myth.

Almost every time someone defends themselves with "almost everyone," they are wrong.

Almost everyone is never everyone. So why must there be a definitive answer here?

I believe that English professors and authors utilize the Ox because writing consecutively lends more toward description. The Ox makes sense for those long-nosed authors who don't have a fear of heights from looking down it so often at journalists.

But the Ox does not lend itself to the journalistic writing style that I call my own. Therefore, I consider to be a writer's shoehorn. If you're too lazy to put your own shoe on, is wearing shoes your biggest issue? And who owns a shoehorn anymore?

And journalists write to a fifth- to eighth-grade level. So ha!

Dave: We are not arguing about scientific facts that can be proven right or wrong based on research and the scientific method. We are talking about a simple, easy, and straightforward convention used the world over to help readers and writers better understand one another. So when everyone agrees that its use is your best bet, you can believe them.

This isn’t the 1920s. You’re not Ernest Hemingway. The current literary form of the English language is pretty set in stone. Sure, the language changes now and again to conform to contemporary trends, but on the whole we’ve figured it out. So your style isn’t anything new, and its complexities and subtle nuances aren’t so amazing that they preclude the use of a comma at the end of a list. Sorry. It doesn’t. And the people who haven broken the mold, like Hemingway, James, Wallace, and Shakespeare, did so because they were masters of the conventional.

You’re not one of these matters, I’m not, and odds are noone reading this is. Sometimes you have to play by the rules and just suck it up. Be happy that you have to eat it on something as inconsequential to daily life as the serial comma.

Matt: I don't think journalists are trying to say they're better than anyone or even that our way is more right than yours. I'm just saying that you need to be open to other ways of doing things.

So I need to follow 100% the way something was created nearly 100 years ago without questioning it or making any changes? Quite a statement to make. Do you still write on rock with a chisel? And exactly how many years away are you from calling music "noise" and yelling at kids to get off your lawn?

Dave: We are talking about a comma that, when used at the end of a list along with all the other commas in said list, unequivocally avoids confusion between each distinct item. Damn, you really are losing a lot of artistic integrity by following that damn rigorous, old school Oxford comma. Damn those old, white bastards for controlling how your unique 2017 art reads.

Please.

And if using the serial comma is 100% following the way we wrote English 100 years ago, then you need to start reading more turn of the century prose, my friend. Change and progress is most importantly about keeping what works and fixing what doesn’t. The serial comma has always worked. It will continue to always work. And not using is akin to a teenage temper tantrum, throwing up that middle finger to the world that just doesn’t understand your art, Kevin! No, we get it. This is how the world works, get over it.

Matt: Let's do a quick sample sentence and let's see how you read it compared to me:

  • A stripper, Dave, and Dan all had fun together last night.
  • A stripper, Dave and Dan all had fun together last night.

To me, the first sentence says that the strippers' name is Dave. The second sentence says the three of them had fun. 

But the Ox is needed every time right? And I'm the asshole because I think if you just change the sentence around, it'll be easier to read and more concise? Your turn.

Dave: If we are following conventional rules, and we are because we use the Oxford comma, “no comma, however, should separate a noun from a restrictive term of identification,” according to Strunk & White. So when I see this sentence:

  • A stripper, Dave, and Dan all had fun together last week.

I know that we are talking about three different people for two reasons: first, the serial comma tells us that there are three people, and, secondly, if Dave were a stripper the sentence would properly read:

  • The stripper Dave and Dan all had fun together last week.

Or one would have properly added the parenthetical commas distinguishing Dave as a stripper with which we might not know:

  • Dave, a stripper, and Dan all had fun together last week.

But there is no way, if you know your grammar, to confuse a sentence written this way:

  • A stripper, Dave, and Dan all had fun together last week.

But a sentence written the following way could, grammar tells us, only have one meaning: ‘a stripper’ is parenthetical information, leading off the sentence that describes Dave, which would make the word ‘all’ very confusing and ill advised:

  • A stripper, Dave and Dan all had fun together last night.

Final Statements

Dave: Kids, if you see someone not using the serial comma, call them out on it. Life too short to be wrong all the time. Be right. Take those bastards down a peg!

Matt: My conclusion is simple, clean and concise. Which is a perfect way to simply explain why the Ox is a waste of time that only leads to angry conversations, name calling and oversimplified history lessons. In the end, aren't we writers facing the same existential crisis? That people today do not care for the written word as they have in the past. Instead, today's readers seek out five-second videos, internet memes and gifs? We need to stand together as one united front in that battle.

P.S. Sean Spicer uses the Oxford comma.

What do you think? Is the Oxford comma necessary? Reply in the comments section below, on our Facebook page, or tweet us @WritersBone.

The Boneyard Archives

15 Newsy Treasures I Found at the Newseum

By Daniel Ford

Contributing editor Stephanie Schaefer, photo essayist Cristina Cianci, and I recently traveled to Washington D.C. in search of brunch, books, and booze.

Like dutiful citizens, we also made pilgrimages to the capital city’s monuments and museums. I’ve been a news junkie since birth and a journalist by trade, so the Newseum was at the top of my list of places to visit. From the display of daily newspaper front pages to the exhibit detailing the press reaction to Lincoln’s assassination, the museum didn’t disappoint. 

Best enjoyed with a copy of coffee and a reporter’s notebook in your back pocket, these 15 newsy treasures should bring a smile to anyone with ink-stained hands.

Are You Experienced?

The “Reporting Vietnam” exhibit featured this 1960s outfit worn by guitar great Jimi Hendrix. I’m pretty sure my soul-eyed father would have ranked this on the top of his list had he been with us.

Press Pass

Unlike some of the other national museums in Washington D.C., the Newseum isn’t free. However, I felt I got my money’s worth just by standing close to the credentials journalist David Halberstam used while reporting in Vietnam from 1962 to 1964. Halberstam, who died tragically in a car accident in 2007, wrote some of the most important nonfiction books in U.S. history. His book The Best and the Brightest—a searing, in-depth investigation into the disastrous foreign policy developed toward Vietnam by the Kennedy and Johnson administrations—should be required reading for politicians and citizens alike. The same can be said for The Fifties, War in a Time of Peace: Bush, Clinton, and the Generals, and The Coldest Winter: America and the Korean War.

Cover Shoot

Cristina made the comment that she wouldn’t want to be the person in charge of hanging up all these newspapers from around the country and the globe. If anyone from the Newseum is reading this, I’m available should that person ever want to take an extended vacation.

Also, there’s a great quote by Daniel P. Moynihan above the display:

“If a person goes to a country and finds their newspapers filled with nothing but good news, there are good men in jail.”

Honest Abe

Lincoln wasn’t portrayed all that well in the press during his time in office, but he was smart enough to recognize the importance of an active, questioning press. I doubt he’d be whining about debate rules because of some “tough” questions…

History of News

According to the Newseum’s website, its News History Gallery “showcases nearly 400 historic newspaper front pages, newsbooks and magazines” from “more than 500 years of news history.” I could have spent a small eternity in this exhibit. 

Here are a few of my favorite front pages:

Captain Hemingway

It wouldn’t be a Writer’s Bone post without some mention of Ernest Hemingway. Above are his credentials during World War II. It’s worth noting that Hemingway once commandeered a hotel in France after the Allies marched into Paris. Needless to say, alcohol was served liberally. 

9/11

I remember buying all of the New York City newspapers the day after Sept. 11. I read most of The New York Times in the hallway of my high school before the first bell rang. I recall thinking that the words failed to capture the violence, tragedy, and sorrow featured in the graphic photographs on every page. Seeing all of the headlines from that day in one place gave me goose bumps and reminded me how essential media was in uniting the country in the face of that awful attack.

“Oppressed people cannot remain oppressed forever.”

The above is a bronze casting of Martin Luther King Jr.’s jail cell door in Birmingham, Ala. Behind this door he wrote his famous “Letter from a Birmingham Jail,” which eloquently explained his civil disobedience doctrine. I reread the letter for the first time in a number of years while writing this post and it still holds truths this generation should embrace, including one of my favorite lines:

Actually, we who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive. We bring it out in the open, where it can be seen and dealt with. Like a boil that can never be cured so long as it is covered up but must be opened with all its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured.

Journalist Memorial

One of the more haunting aspects of this memorial commemorating journalists who have been killed reporting the news is the empty space above the photograph display. We remain a world at war and press freedom is constantly under attack from unenlightened and paranoid forces. Future deaths in the pursuit of truth are inevitable. Blaming the media has always been en vogue (and at times deserved), however, it’s grossly unfair and irresponsible for leaders of any nation to question the central role the press has in shaping an informed, engaged citizenship. Now, whenever I hear politicians or pundits rant against the “morals” and “ethics” of today’s media, I’ll think of this memorial and be reminded that the freedom to type these words doesn’t come cheap.

The Writer’s Bone News Team

I wandered away from Stephanie and Cristina toward the end of our visit and ended up on the news thanks to one of the Newseum’s staff members. Jean, whose last name I didn’t catch, led me over to The Interactive Newsroom, put a microphone in my hand, and told me to read the script. He said improvising was allowed if I felt the need. Of course, I chose a news scenario from the Civil War and thought I nailed it.

Jean was less than impressed. He complimented my voice, but said I needed more energy and charisma (and probably a shave). So he added Stephanie! She didn’t allow me to post the video, but here’s an image:

Let’s just say Jean had no complaints about that broadcast thanks to Stephanie’s bubbly personality and friendly smile.

For more posts from The Boneyard, check out our full archive.

The Boneyard: Are Journalists Really an Endangered Species?

By Daniel Ford

Earlier this week, Poynter reported that newspaper reporters landed on the annual list of endangered jobs for the second year in a row. Others on the list included meter readers, farmers, and mail careers (who are expected to lose 28 percent of their workforce by 2022).

This is not a good list to be on, obviously. It’s also not great that journalists found themselves at the very bottom of a list of the 200 worst jobs in the United States. My BS in Journalism wept.

So is being a journalist really that bad? Has the Internet and television killed the ink-stained newspaper star? I reached out to some of my favorite journos on Twitter to discuss the issues facing the industry and what the future might look like.

Daniel Ford: How’s everybody feeling about being on the endangered species list?

Matt DiVenere: The worst part? Most journalists left make the public hope it's a quick death.

Daniel: Does Anderson Cooper's performance during the Democratic debate on Tuesday (and Meghan Kelly’s during the first Republican debate) offer a glimmer of hope?

Lindsey Wojcik: You're talking two different industries now. Broadcast is a different ballgame. Print will not fully become extinct but entering the market with that emphasis will.

Matt: Absolutely. Local, small-market newspapers will outlast national papers. You can get national news anywhere. Local news, not so much.

Melissa Rose Bernardo (managing editor of JCK magazine): Let's hope so! (Kind of like small business versus big box retail.)

Daniel: I don't necessarily think they are all that different now. Journalist's number one job is asking tough, relevant questions to find truth.

Lindsey: I think there's more of a celebrity cache in broadcast. At least with networks.

Daniel: But wasn't there the same cache with print journalists in 1960s and 1970s?

Lindsey: Celebrity culture was nothing like it is today.

Daniel: I wouldn't tell that to William Randolph Hearst!

Matt: Television and print are two completely different worlds, especially today.

Daniel: Would we lose quality journalism if we start relying more on local newspapers? Local newspapers don’t have the budget or staff to tackle larger issues. Wouldn’t we miss out on some of the necessary investigative journalism performed by national papers? We’re already seeing it with major news organizations cutting back. Who ends up being the watchdog?

Matt: True, but local journalists have a bit more of a stake in local issues with more access.

Daniel: Are journos really going to school to write for their local paper?

Matt: A good journalist shouldn't be impacted by audience or market size.

Daniel: Who are these local writers aspiring to be? What's the standard?

Matt: It's more important for local writers to stand out than to aspire to be someone.

Daniel: But isn't the problem that standing out today means being more of an entertainer?

Matt: From a TV perspective, yes. But writers who go for the recognition get labeled as such. Standing out doesn't have to be for being an entertainer. Passion will always trump. Every journalist is different. Mimicking should be looked at as a no-no.

Daniel: So how do we cultivate good journalists? How do we avoid extinction?

Lindsey: There are too many problems to solve in a single Twitter thread.

To be continued…

To add to the discussion, comment below, weigh in on our Facebook page, or tweet us @WritersBone. For more posts from The Boneyard, check out our full archive.

Sunday Brunch: New Times Writer Derek Heid and the Week’s Top Posts

Photo by Daniel Ford

Photo by Daniel Ford

Writer’s Bone’s Sunday Brunch features fresh commentary or interviews, jazz recommendations, and a roundup of the week’s top posts. We encourage you to enjoy this post on a weekly basis with a mouthful of omelet and home fries, as well as an unhealthy amount of the aforementioned mimosas, Bloody Marys, or bellinis. Also, send us your brunch pictures and we'll feature them in upcoming posts! You can email them to admin@writersbone.com or tweet us at @WritersBone.

Starters

Sean Tuohy talks to Derek Heid, a writer for New Times, about a sunny place for shady people: Florida. 

First Round of Mimosas

Author and podcaster Justin Macumber talks to Writer's Bone about his writing style, the podcast, and what the future holds for him.

Loving the Truth: 8 Questions With Author and Podcaster Justin Macumber

Musical Interlude

Sing it, Etta.

The Newspapermen Eggs Benedict

The Newspapermen feel the mental and physical toll of chasing down a story no one wants them to uncover.

Chapter Seven: Sweet Dreams

A New York City Side of Bacon

Writer’s Bone’s New York City guru Lindsey Wojcik writes about how her experience reading Sari Botton’s Goodbye to All That: Writers on Loving and Leaving New York made her realize she wasn’t moving out of the metropolis any time soon.

How ‘Goodbye to All That’ Convinced Me to Stay in New York

Photo essayist Cristina Cianci shares seven photos she took while getting to know her new Manhattan home better.

Urban Escape: 7 Photos New York City Slickers Will Love

Digestif

Down a shot of Wild Turkey 81, dance manically with all the spirits in the night, and enjoy the latest installment of Bruce, Bourbon, and Books.

Bruce, Bourbon, and Books: Wild Turkey in the Night

Podcasts for Dessert

Stand-up comedian, writer, and producer Sara Schaefer stops by Writer’s Bone to talk about the Mall of America, the art of making someone laugh, the lessons she learned from Louis CK, and the unpredictable nature of stand-up comedy.

The Boneyard: How Writer's Bone Would Fix Gotham City

The Boneyard features the best of Daniel and Sean’s daily email chain twice a week. Yes, we broadened the definition of “best” to make this happen. 

Daniel: During a recent podcast recording session, Sean went on a little bit of a rant about Bruce Wayne and Batman. Listen to him argue his case on why Bruce Wayne should fake his own death so Batman can get more done:

The best part about this clip is that it incited a #nerdoff between me, Sean, and Writer’s Bone contributor Dave Pezza. Over/under on the word count of installment of The Boneyard: 3,000.

Dave: Bruce Wayne could do more as Bruce Wayne than as Batman. Wayne could literally hire and train a whole new non-corrupt police force. The best non-superpower wielding super hero could do waaaaay more as a philanthropist than Batman could ever do by putting one single bad guy away at a time, which never works anyway because Gotham prison has a breakout every year.

Sean: Dave has a valid point but I still don't agree. Bruce Wayne could buy a lot of things to help the city of Gotham, but that would never change anything. Bring in a new police force and they will become corrupt regardless what you pay them. Batman is more than a crime fighter, he is a symbol. He lets the people of Gotham know that no matter how bad things get, there will always be someone there to protect them. The Bat signal shines in the skies above Gotham warning the crime element that their evil deeds will be punished. Bruce Wayne, regardless of how much money he has and what he does with it, will always be a man. Men come and go, they die and crumble, but a symbol lives forever.

Daniel: My thing is that Batman is more human than any other superhero because he actually is human. Yes, he's a symbol, but men can be symbols too. That can happen even after they’re dead, much like they tried to make Harvey Dent in the recent trilogy. I don't know if Batman has superpowers like Superman his symbol means as much. I think part of what people like about Batman is that he's one of them, rather than an alien or mutant. The Bat signal is effective because people feel like there is a person out there who isn't corrupt protecting them. I think his humanity matters more than you think. And I think Bruce Wayne keeps him grounded in the real world. Think about how brooding Batman is already. If that's all he is, he might actually blow his brains out or end up in Arkham.

That being said, I agree with your point that Bruce Wayne essentially buying a new system for the city isn't that realistic.

Dave: I would disagree. He creates a symbol to rally a city around a vigilante. Batman just assumes that the city is too broken to fix, so he decides that he can fix it one criminal at a time. False. Gotham city doesn't need another person operating outside the law. It needs sound investors. It needs new infrastructure. It needs Woodwards and Bernsteins. It needs money to be literally thrown at it. “Why does Batman need Bruce Wayne” should not be the question. The question should be, “why does Bruce Wayne need Batman?” Why does Bruce Wayne dress up and get the shit beat out of him just to prove a point and fight a personal battle? He could prove it better bankrolling an ailing city and getting involved in proper politics and political change.

Batman first appeared in Detective Comics in 1939, a year after Superman, as a grittier more human superhero. Obviously, he was a response the monopolistic Superman, but his eventual story showed how broken the U.S. economy had become. It was a mirror to how badly the country had sunk financially and criminally ran rampant, i.e. the Great Depression and Al Capone. Batman's metaphor actually fits our contemporary model better. An American billionaire should use his money to fix a failed American city and give back to the roots that made him, but not as Batman. We need a less vengeful and more fiscally responsible Bruce Wayne. We need a corporation not to hide funds to bankroll a vigilante but to give back to the city by not investing overseas, creating new jobs, and supporting non-corrupt politicians. Gotham, in actuality, needs Wayne Enterprises to cut the city a check like J.P. Morgan did in 1895 for the U.S. Why not invest in a better city than kick the shit out of an old one?

Daniel: I'm slow clapping over here. Nicely done.

Dave: Also, and this is partially borrowed from Cracked.com, Superman is quite different when it comes to disguises. Superman is not a masked alter ego like Batman is for Bruce. Bruce Wayne hides his identity as Batman, however Superman hides his identity as Clark Kent. Clark Kent is a fiction made by Superman to hide his real Kryptonian identity. I am sure there is a metaphor about humanity's inability to accept change or something, but I'm too tired from the Batman post to flesh that out.

For the record, I love Batman. He is by far the most interesting and badass DC superhero. I just like to argue.

Daniel: There are times when I get really into Batman, and there are other times I can't. My favorite is the Batman in Frank Miller's "The Dark Knight Returns." Everything felt right about the character in that comic. The stakes were higher, it wasn't completely gritty, and there was an epic fight with Superman who had turned into a lackey (which is totally possible; which may be one reason Clark Kent remains a journalist. He wants to stay a little bit cynical). I don't mean to say that the stakes aren't always high considering that Gotham has the most realistic set of problems in the DC universe, but nothing elevates stakes like the gunslinger going after one last bad guy. I can't help but think of “High Noon” whenever I re-read that comic.

Sean: You know what, Dave is right.

I can’t think of an argument against the fact that if there was more investment in Gotham that would lessen the street crime. Andrew Carnegie even said that a man spends half his life gathering wealth and then the second half giving the wealth back. Dave made me think of another good point. Why didn't Bruce ever get help after his parents were murdered? Did he ever seek medical attention after witnessing his parents being murdered? Or did Alfred just handle it how I would handle someone asking, "Who wants pie?"

Since we are talking about heroes, who do you think is the best anti-hero? Not just within comics, but in movies, television, comics, and books. Who do you think best defines the anti-hero?

Dave: Oh man, Punisher all the way. He’s the quintessential anti-hero. Ex-cop goes all rogue murder spree after his family gets massacre. You can't blame him, but he is still going around messing people's shit up. Granted those people are raping murderous thugs, but still.

Sean: Agreed. Frank Castle has to be the best anti-hero. The whole Garth Ennis run was awesome. I know people hated the first Punisher movie, but the major issue I saw with it was that the location was all wrong. Tampa? Castle has to be in New York City or somewhere urban. Otherwise, and the fact that it was PG-13, that was a good Punisher movie. A close second to the Punisher would be Snake Plissken from Escape from New York.

Daniel: I actually like the first Punisher movie as well. Mickey Mantle did a serviceable job as the wounded lead character and, hey, any movie that has John Travolta being dragged across a parking lot while he's on fire is a great one. There are so many fictional characters that are great anti-heroes, Tony Soprano, Andy Sipowitz, Dexter, Hannibal Lecter, the Dude, Robert DeNiro in Taxi Driver.

My personal favorite might have to be Michael Corleone in the Godfather movies. His arc gets more tragic every time I watch the films (which is often). He starts out as a war hero with a young girlfriend, and then he's sucked into his family's criminal world somewhat reluctantly. You start to see him embracing the darker side of his persona when he kills the police officer in the Italian restaurant. But it hides it by seeming to be really happy on the lame in Italy. A naked Apollonia helps I'm sure. Once she blows up, I think he's 100% evil. It just clicks. It's all about power and his family. For me, the most haunting scene with him isn't when he kills Fredo. It's when he slams the door in Diane Keaton's face when she comes to visit her kids unannounced. He was shunning her because she had an abortion. Keaton's face when he nonchalantly pushes the door closed is heartbreaking. It's a great moment where you think "why exactly am I rooting for this guy to stay alive?" And then he kills his brother. At least you know he'll be haunted more by that than by anything Kay did. His heart was never really with Kay. Family man Michael wasn't his true character. He was a bad guy at his core and I think he would have been led to it no matter what. I could go on, but I think I've made some kind of a point.

While perusing the Internet to narrow down my pick, an intriguing name popped up that makes a strong argument for a real-life anti-hero: Mark Zuckerberg. Maybe he doesn't have the characteristics of a classic anti-hero, but he may be this generation's real-life version of one. You're not going to see guys like Hunter S. Thompson take that mantle like they once did. Do you think the Millennial generation might get tired of the anti-hero trend and explore other fictional pasts, or do you think that it reflects society overall too much to deviate any time soon?

Sean: This was an awesome short they made a couple years back. It's awesome and really showcased that Thomas Jane could play this part.

I would have never thought of Michael Corleone. I know there is a cut scene where Michael returns to the U.S. and he finds the bodyguard who planted the bomb and kills him. There is a picture of it somewhere, and it shows Michael holding a double barrel shotgun at the hip. It showed how he went full dark side. One thing that they didn’t mention in the movie was the fact that Sonny was really well hung. They hint at it, but it's not brought up. Then again, I don't know how you could bring that up in a movie, no pun intended. The anti-hero, in one shape or another, will always be with us. The anti-hero is a reflection of the darker side of humanity.

Mark? Really? Does he count as an anti-hero? Hmmm, he did do things his way. I don't know if he counts.

Daniel: Well, there is the scene early in the first Godfather where Sonny is plowing one of the bridesmaids. I think it's implied. The bridesmaid actually has Sonny's kid who turns out to be Andy Garcia's character in Godfather III.

Yeah, I agree on what you said about Mark, but really, who else is there. Mark Cuban the basketball owner? The owner of the Brooklyn Nets who spends his time globetrotting and banging supermodels? Snowden? Snowden is an interesting case. I don't think I'm as inclined to support what he did now as opposed to when I was in college because I think he leaked all that stuff for motives that we're wholly patriotic. If they were, I think he'd stand up in court and be a badass instead of running away. Easy for me to say since I'm not the one that would spend time in prison. But you also don't keep lobing grenades into the whole you made. Leak it all out at once and get it out there. Anyway, yeah, I don't know about real-life anti-heroes. I think being human means that all heroes are flawed, and it's tough to even define what a hero is.

Dave: Our generation replaced cowboys, the original U.S. pseudo anti-hero, with bad guys cast as protagonists. I'd like to see us get back to the real old school western anti-heroes, like Eastwood in the “Man With No Name” trilogy. Millennials have mistaken gritty characters who struggle with their own morality in the wake of their actions with "bad guys" who simply accept the villainy free of an appropriately written conscience.

Daniel: Grimly nodding. Why can't anyone get Westerns right anymore? Did every see "Unforgiven" and say, "Well, that's it. It's over." Instead we get fighting robots in "Pacific Rim." Are movies like that this generation's Westerns? Or have superhero movies replaced Westerns and war movies?

There are no good answers to these questions. That bums me out.

For posts from The Boneyard, check out our full archive.

Coming Soon!

Our podcast & blog will be up and running shortly. 

In the meantime, here's what #writing should look like:

Are you an inspiring writer? Seriously, put down the Ramen noodles and pay attention. If you're looking for an outlet for your material, maybe Writer's Bone is the perfect home for you. To submit a post for consideration, email writerbone@gmail.com

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