The Devil Wears Prada

What Your Favorite Meryl Streep Performance Says About You

By Gary M. Almeter

Linda in “The Deer Hunter”

You once made the beach-themed cupcakes (with marzipan starfish, graham cracker sand, and fondant beach balls) that you saw on Pinterest for your best friend’s summer outdoor baby shower and, goddamn, if your cupcakes didn’t turn out better than the picture on Pinterest!

Jill Davis in “Manhattan”

You loved your new sporty modern bikini bra you bought from Urban Outfitters with its banded cutout detailing, its sleek silhouette, and its strappy scoop neck, but then your boyfriend ruined it by throwing it in the washing machine and it is sold out online.

Joanna Kramer in “Kramer vs. Kramer”

For your 21st birthday, you and some girl friends went to “The Price is Right” and you wore a t-shirt that said “Kiss Me Bob Barker—I’m 21 Today.” You neither got called to be a contestant nor kissed that day and have been resentful ever since (but that Bob Barker sounds like a sick crazy fuck anyway, so fuck him). 

Sarah Woodruff/Anna in “The French Lieutenant’s Woman”

You once created a stir at your book club when you suggested that Pilates did not count as strength training.

Sophie Zawistowskiin “Sophie’s Choice”

You swear—and have asked your primary care physician to certify this to a reliable degree of medical certainty—that you pee more often when you’re wearing a button-up romper.

Karen Silkwood in “Silkwood”  

Sometimes you just want to yank out your uterus and smack it around for being such a bitch when you’ve been nothing but kind and considerate to it.

Susan Traherne in “Plenty”

You get bikini waxes with some frequency and after each one you can’t help but ask yourself, “Was that really worth it?”

Karen Blixen in “Out of Africa”

You make 77% of what your male counterparts make but you sort of don’t even give a shit about the gender pay gap because you get stoned with your boss at lunch from time to time and you can wear sleeveless blouses on casual Friday.  

Rachel Samstat in “Heartburn”

The cup size on the bustier you just bought at Marshall’s seems a little bit off. Also, you definitely had a poster of Van Gogh’s “Starry Night” in your dorm room in college

Helen Archer in “Ironweed”

You and your girlfriend had a three-way with Seal when he played the Orpheum in 1995.

Lindy Chamberlain in “A Cry in the Dark”

Your period tends to come the day after you buy a pregnancy test and you’re always like, “Quit playing games with me, okay uterus?”

Mary Fisher in “She-Devil”

You could very much go for a nice long fuck right about now. Also, why is it so hard to hard to find classic rock t-shirts that are cut for women?

Suzanne Vale in “Postcards from the Edge”

You would love it if one day you could eat, oh I don’t know, a fucking cheeseburger and not feel guilty about it?

Madeline Ashton in “Death Becomes Her”

You were at a job interview once and the interviewer was staring at your cleavage the whole time and you were all, “What the fuck?” And then in the elevator you looked down and guess what? You had a chocolate stain on your blouse. 

Clara del Valle Trueba in “The House of the Spirits”

You borrowed your roommate’s Tory Burch “Louisa” ballet flats without asking one autumn and subsequently trashed them as you were tailgating before the big game. When you got back to your apartment your roommate wasn’t back from her shift at Legal Sea Foods so you just threw them in the dumpster behind your building and your roommate thought she lent them to her sister.

Gail Hartman in “The River Wild”

“To shave your legs or not to shave your legs?” That is the question you ask yourself each morning from October through March. On the one hand, smooth legs are sexy and, on the other hand, you can just wear leggings all fall and winter. 

Francesca Johnson in “The Bridges of Madison County”

You’re wearing the prettiest bra and silk shantung jacket today but every time you lean over it’s like “Free the nipples!” and you’re like, “Whoa!”

Kate Gulden in “One True Thing”

You cannot find any patio furniture that you like.

Roberta Guaspari in “Music of the Heart”

There was definitely a long adjustment period but you finally got to the point where you kinda liked having short hair. It’s nice needing the tiniest amounts of conditioner and product. However, last week you went to get a trim and your friends were dumbfounded as to why you were not letting your hair grow out

Susan Orlean in “Adaptation”

You would rather stand on the bus and/or train holding on to an Ebola-slathered pole, than sit next to a dude as the dude would inevitably sit with his legs spread wide open and why the fuck do dudes get to sit with their legs spread wide open but you can’t and if you do you get admonished, explicitly and implicitly, for not sitting like a lady? 

Clarissa Vaughan in “The Hours”

You were talking to your gym crush the other day and you’re pretty sure you smiled when he told you that he and his girlfriend had just broken up and you’re wondering if he noticed.

Lisa Metzger in “Prime”

Victoria’s Secret has no bras in your size. Do you sweat it? No! You go to Kohl’s where you can get Hanes and Bali bras—underwire bras, wire-free bras, sports bras, minimizer bras, sexy and seductive bras, any kind of bras—for less than half the price!

Miranda Priestly in “The Devil Wears Prada”

Once you were watching “New Girl” while lying on your couch and you lost your phone. You were freaking out but then you remembered that you set your phone on your boobs.

Janine Roth in “Lions for Lambs”

It is 7:00 a.m. and you are craving corn dogs right now.

Donna Sheridan in “Mamma Mia!”  ­

Your favorite drink is the mojito. However, no drink exemplifies the problems that arise when a drink is made without precisely measuring its ingredients better than the mojito. It’s basically a fucking crapshoot every time you order one. 

Sister Aloysius Beauvier in “Doubt”

You cannot walk through Target without spending at least $150.

Julia Child in “Julia & Julia”

It’s time for you to go bra shopping again and you fear you will have to sell a fucking kidney or something so you can afford it.

Jane Adler in “It’s Complicated”

You just bought this dress from J. Crew but it’s apparently sort of vanity sized and it was a final sale so you can’t return it. It’ll cost more to have it tailored than the dress actually cost and for fuck’s sake.

Margaret Thatcher in “The Iron Lady”

You refuse to buy feminine products from young male cashiers. If there are only young male cashiers at the open registers at whatever Walgreen’s or CVS you are at, you will walk or drive to a different Walgreen’s or CVS. 

Violet Weston in “August: Osage County”

Your go-to Halloween costume is getting dressed up as Audrey Hepburn from “Breakfast at Tiffany’s.”

Witch in “Into the Woods”

You had your period the entire week of band camp for three years in a row.

Ricki in “Ricki and the Flash”

The prestigious East Coast college you went to subtly emanated, over a period of four years, a concept of the ideal American woman, who is nothing short of fantastic. She must be a successful wife, mother, community contributor, and possibly career woman, all at once. Besides this, she must be attractive, charming, gracious, and good-humored. She must talk intelligently about her husband’s job, but not try to horn in on it, keep her home looking like a page out of House Beautiful, and be efficient (but not intimidatingly so). While she is managing all this, she must be relaxed and happy, find time to read, paint, and listen to music, think philosophical thoughts, be the keeper of culture in the home, and raise her husband’s sights above the television set. And you’re like, “Umm. No.” 

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The Boneyard: Are All Books Better Than The Movie?

This post features men arguing about "The Notebook." You've been warned.

This post features men arguing about "The Notebook." You've been warned.

From the desk of Lindsey Wojcik: Are all books better than the movies based on them? What are some examples where the opposite is true? What movies should have remained books all together?

Lisa Carroll: In general, the book is better.

However, the movie “The Notebook” was much better than the book. And I haven't seen the movie. I just hated the book and everyone I know loves the movie.

I hate when I read a book and then I see the movie and then I read the sequel and all I can picture are the actors. Forgotten are the magical beings I'd created in my head the first time around. I wish I could record that experience!

A book is a personal shared experience between an author and a reader. We create the vision in our heads and it is uniquely ours. The author gives us the words and we imagine the rest. I enjoy a good movie, but there really is no experience like reading a book and diving headlong into the world that you create with the author.

P.S. “The Scarlet Letter” with Demi Moore should be banned from the planet. Just my opinion. Except that I loved when my students would write an essay about the book and include the scene where Hester and Dimmesdale ride happily into the sunset...yeah, that happened.

Hassel Velasco: I'd like to say the “True Blood” series (up to season 4) are a lot better than the books they're based on. Can't think of any movies that fall under that category. Most movies based on books tend to be equal or less compared to their book counterparts.

Daniel Ford: Movies based on John Irving novels (with the exception of “The Cider House Rules”) tend to prove why great books should remain as such. “Simon Birch?” Good god. A Prayer for Owen Meany is a masterpiece. “Simon Birch” is what Sean likes to call "a heap."

This might anger a few people, but “The Lord of the Rings” movies are way better than the books. Everything they chose to keep and cut was flawless (I don't want to hear about that Tom guy in the first book. He sucks). “The Hobbit” movies...not so much.

A lot of Elmore Leonard books tend to make great movies because his dialogue is so sharp. The “Justified” series far outshines everything Raylan has been in on the page (although Pronto is pretty damn good).

And even I have to admit that “The Notebook" nails it.” Way better than the book. Sure, McAdams character sleeps with everyone, but still. I'm a sucker for James Garner.

Rachel Tyner: “The Notebook” definitely nails it. But Daniel, wait, McAdams character sleep with everyone!? In the movie!? She does not. Or is this something from the book I just don't remember? I remember reading the book and being so underwhelmed which is a bummer because the movie is so perfect.

Also “He's Just Not That Into You” is 10,000 times better than the book.

The “Harry Potter” series is very tricky. Obviously, I am going to say the books are better because they are nearer and dearer to my heart, but the movies are really good as well. If I had to live without one or the other forever I would drop the movies in a heartbeat.

I agree about “True Blood.” I started the books before the show was out and actually really enjoyed them in a guilty pleasure sort of way. They truly were terribly written. I haven't watched the show, but again it's something everyone is obsessed with so I assume it's good.

Lindsey Wojcik: I asked this question furious from a recent experience reading Jodi Picoult's amazing My Sister's Keeper, then being horribly disappointed with the film. I want that time back I spent watching Cameron Diaz and Alec Baldwin trying to portray characters I had become deeply invested in, but I'd happily spend every hour re-reading Picoult's words.

I'm often irked when major plots in the book are different on screen, as was the case with "My Sister's Keeper." Initially, I felt the same about "The Devil Wears Prada" because I fell so in love with that book that any minor changes book's plot in the movie enraged me. Over the years, I've really come to appreciate Meryl Streep's Miranda, and while I will never say it was better than the book, I will say the movie was done well and has since found a place in my heart.

How could I forget “He's Just Not That Into You”? Rachel nailed that. The whole concept "he's just not that into you" was revolutionary on "Sex and the City," at least for Miranda's character. When the book came out, I was in college—which was a tougher dating period for me than high school—I thought it would be so empowering. But it wasn't. It tried so hard to be, but Greg Behrendt's concept just didn't translate as a self-help book for women, even with Liz Tuccillo as his co-writer. The movie, however, didn't try too hard to give advice in snarky ways. It wasn't a ground-breaking film, but it told the stories of several couples, instead of straight up "He's not into you if he's not having sex with you." Stories are powerful, and I think that's why some movies spawned from self-help books are better than the books.

Daniel: You would not believe the abuse I've been getting from Dave Pezza for reading and watching “The Notebook”…and then admitting to reading several other works by Nicholas Sparks. I have a soft side and I embrace it.

Dave Pezza: Ugh, please Daniel, save it for your Opera's book club meeting.

Daniel: *Oprah. You can't even diss someone without needing an editor.

Dave: Dammit.

Sean Tuohy: What's wrong with reading a romantic book? And what is wrong with liking "The Notebook"? It’s a good story. Rachel: I don't want to say this is the first argument three men have gotten into about “The Notebook,” but it is quickly becoming the most heated.

Hassel:

But Rachel McAdams....

Sean: "The Notebook” is the same thing as porn. It shows unrealistic moments, but both are enjoyable and both should not be watched in your grandparent's bedroom.

Rachel: Never forget.

Dave: If you want to talk about soft sides and romance, let's talk about "Casablanca," one the best and most romantic movies ever made, featuring a real love triangle with real individuals.

Daniel: GIFs have been introduced. Now we've got a kickass email chain.

Ah, “Casablanca.” My god, that movie is perfect. Quotable lines, great story, shot beautifully, and you ache each minute the two star-crossed lovers share a scene together.

Plus, Nazis.

Also, "No Country for Old Men" might be better than the book. The book is good, but the performances in the movie really take it to another level.

Dave: I concur with Daniel on “Casablanca.”

Daniel: 

Sean: 

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