comedy

Remembering Garry Shandling

By Sean Tuohy

Longtime comedian, director, and writer Garry Shandling died yesterday at the age of 66. His more than 40 years of entertainment will never be forgotten. From his work on sitcoms in the early 1970s to his groundbreaking television program “The Larry Sanders Show,” which laid the groundwork for smash shows such as “Arrested Development” and “30 Rock,” Shandling was a TV pioneer and master. With his self-deprecating humor and witty comebacks, Shandling was hands down one of the best stand up to watch.

Shandling started writing on “Sanford and Son” and produced four episodes. However, as his career was taking off, Shandling suffered a near fatal car crash. Most folks would have tried to find some comfort after this, but Shandling quit his successful job as a writer and started working as a stand-up comedian. He slaved, and slayed, on the stand-up circuit for a decade.

In 1992, Shandling teamed with writer Dennis Klein to produce the critically acclaimed TV series “The Larry Sanders Show,” a show within a show. Shandling played the eponymous late night talk show host who had to balance the demands of his insane guests with the antics of his equally demented staff. The show was the first cable-based program to receive an Emmy for Best Comedy and was also the directorial debut of Judd Apatow. Until it went off the air in 1998, “The Larry Sanders Show” was one of HBO’s most beloved shows.

The Art of the Cruel Joke: A Friendship Defined by Laughter

Batman: Hey, Superman!Superman: What?Batman: I slept with Lois Lane.Superman: Who hasn't?

Batman: Hey, Superman!

Superman: What?

Batman: I slept with Lois Lane.

Superman: Who hasn't?

By Sean Tuohy

Friendship is an odd concept and a strange part of the human experience. As social beings, we crave interaction with others, but there are a select few that we chose to make a daily fixation in our lives. Those few and proud are called friends; people who decided are good enough to join us on the journey that is life. Hey, even serial killers have friends.

I've been lucky to make great friends throughout my life. These people mean the world to me and are part of my extended family. The core to most friendships are shared interests, including movies and sports. There is always something that ties two friends together, a bond that only they share.

I went to visit my friend Aaron, who recently moved from the sun soaked beaches of South Florida to the chilled streets of Bangor, Maine. Aaron and I have been friends for roughly six years. We have spent a lot of time together. We share very little in common. Aaron is a sports nut who can spew out sports facts like Dustin Hoffman in "Rain Man." I am not a sports fan. I like movies, books. and talking about random things. We barely like the same music. We don’t share the same political views. We don’t even agree on beer choices. Despite a canyon of differences between us, we have maintained a friendship that is based built on a similar humor. Our sense of humor is the rope that ties us together at the hip.

Since the beginning, Aaron and I love to make the other laugh. We like to share embarrassing or strange personal stories with one another and try to make the other one crack up. We come up with random scenarios that no sane person would ever think about. We force our minds go to dark corners in attempts to elicit laughter. We have said comments so obscene and out of this world that I've wondered often what is wrong with us. Sometimes our pursuit for laughs leads to us insulting one another by saying cruel and downright awful statements.  

On our most recent car ride to a national park, Aaron and I quickly went to work. This involved a mix of insults, personal stories, and crude comments. Highlights included:

“Your bedroom is like a cancer ward; it only sees awful things”
“I’ll take your mom for a spin.”
“You’re as much fun as 9/11”
“You know what, just kill yourself.”

These comments continued and got worse as the ride went on. We called one another names, compared our sex lives to those of child molesters, and explained the weird and very violent sexual things that we would do to the other’s family if given the chance. It went on and on. Each comment was followed by a wide joyful smile. The goal was to have the other one burst out laughing. Aaron won with one simple and well-timed joke.

We passed a small airfield with prop planes parked out front. A large sign declared the airfield’s name and below it said “biplanes.” Aaron pointed at the sign and said,

“Hey, look those planes are bi.”

It wasn't really that funny, but the tone in which he said it screamed “y’know what I mean?” It was enough to make me crack up. I laughed. I laughed really hard. My voice cracked. I got red in the face. I was really laughing like it was the funniest thing I had ever heard. In that moment, I remembered why we were friends. Aaron was one of the few people who could make me laugh that hard.

I know this doesn't sound like  a healthy or a rewarding friendship, but it is one of the best  I have. The ability to make the other laugh is a great bond that we share. Will the insults continue when we are older and wiser?

God, I hope so.

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Apathetic Noir: Why I Love 1998’s ‘Zero Effect’

By Sean Tuohy

"A person can't escape their nature."—Daryl Zero

The pop culture landscape is teeming with overlooked movies. We all have that movie that we think is underrated or an actor or actress performance that no one took seriously. These are small, personal gems that you want share with the world at large, but that get you nothing but blank stares from unenlightened coworkers.

One of my favorites is a 1990s post-noir film that bleeds Generation X apathy: “Zero Efect.” The 1998 mystery thriller doesn’t play by modern mystery thriller rules. Writer/director Jake Kasdan, son of Lawrence Kasden, penned a tight, well-thought-out caper that would have made Lew Archer and Phillip Marlow stand up and cheer.

The movie follows the world's most private detective Daryl Zero and his partner Steve Arlo as they help find a blackmail artist in Portland. Zero is brought to life by Bill Pullman, who designs a character you learn to love slowly over the course of the movie. He’s a man driven by his work; skilled, resourceful, one of a kind. But Zero possesses no social graces and can be nearly impossible to be around. Somehow Arlo is able to keep the oddball hero on track, despite the issues that it causes with his relationship with his girlfriend. Arlo is played by Ben Stiller, who brings all his trademarks to the role, but with a little something extra. Stiller plays Arlo like a real person. He gets annoyed and frustrated with Zero and his crazy ways, but at the same time respects Zero's skills. The two have a very brotherly relationship, allowing the love they hold for one another to stay under the surface. The pair has great dialogue that bounces off one another and flows with ease.

"I'll shoot you. Really, I will. I have a gun and everything."—Steve Arlo

Now, I will say that Monk had a similar plot line: a detective who can barely operate in the real world, but with the help of a grounded partner he always solves the case. Well, Zero Effect took it a step further and made Zero a very difficult person to like. He snaps and lashes out at others and in one scene talks about how he has stayed awake for three days because of methamphetamines. Zero "lives" in closed off apartment from the world in a mess of paperwork and trash. He believes people listen to phone calls and that "they" are out there. I have no idea who "they" are, nor does Zero, but he believes in them. This over-the-top character produces some great comic moments, and “Zero Effect” as a whole is filled with great one liners that make you chuckle.

Kasden must be a fan of noir mystery because it shows in the movie. Scenes scream noir with shadows and the fanatic lighting. The script was well planned out because every step falls on the right spot.

Why was this movie so unknown? I'm not too sure. It wasn't a blockbuster, nor was it a Shane Black-style bang bang noir thriller. It was a small indie movie that told a compact, but layered story. I want to see more Darryl Zero in a television show or a book series. I would follow him and Arlo for years to come.

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Remembering Voice-Over Guru Hal Douglas

Hal Douglas

Hal Douglas

By Sean Tuohy

The best part of going out to see a movie in a theater is watching the previews.

Forget the popcorn. Forget the theater. Forget the movie as well. The previews really make the experience. From the moment you sit down in the thinly cushioned seat and set your feet down on a floor that is waaaaaaay too sticky, you are waiting for the previews to begin. You know when the previews begin because the lights dim slightly, you hear music, and then a booming voice bellows:

“In a world…”

Yes! The movie preview voice! We have all tried to duplicate the voice ourselves at one point or another. But it was a voice like no other that you could only hear during a movie preview. The voice guided you through two and half minutes of flashing images and told you to get ready for an exciting time.

Sadly, that voice is no longer with us.

Hal Douglas, the famous voice-over actor, died at the age of 89.

Douglas’s dominant and impressive voice added chills and thrills to movie previews. His most famous line of all time was “In a world…” and Douglas’ voice made you believe you were really in the world he was describing. From “Lethal Weapon” to “Waterworld,” Douglas had the ability to transport you from your cheap movie house to a world filled with action, one liners, and dames with short skirts.

Movie theaters are places of magic and wonder; places for escape that make you feel safe because you leave the problems of the world at the door. Douglas’ voice was a welcoming and comforting sound to hear because it reminded you that you had a two-hour vacation from the real world. Even though he was never on screen, Hal Douglas had an incomparable influence on modern film.

In a world…without his voice just ain’t same.

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45 Seconds or Less: How to Write the Perfect Acceptance Speech

By Hassel Velasco

I proudly accept this award...for those untold millions struggling to empty their Netflix queues.

I moved out to Los Angeles eight months ago.

I’m proud to announce that in this short time span I have accomplished the unthinkable. I have emptied out my Netflix instant queue.

And the crowd goes wild…

Of course, by crowd I’m talking about me and my cat. And to honest, he didn’t exactly go wild. I think he just meowed because he needed to poop. But still!

Now that the whole Netflix thing is out of the way—I had to tell someone, personal accomplishment, I apologize—let’s queue the award show music. With the Academy Awards creeping up on us like Joaquin Phoenix’s creepy mustache in “Her,” I thought it would be as good a time as any to think about my future acceptance speech.

Writing a good acceptance piece has to be one of the hardest things ever. At least it would be for me. Let’s run down an average acceptance speech. So, there are many people to thank and only 45 seconds to do so.

Since we’re not in a rodeo, in order to write the greatest acceptance speech ever, we have to be very careful and narrow down the speech to a comfortable margin while adding a couple of pause-breaks in there—let’s not forget to pause for applause and laughter).

A potential list of people to thank:

  • Wife
  • Kids
  • Parents
  • Siblings
  • Random family members you owe money to
  • Director
  • Producer
  • Cast
  • Crew
  • “The Academy” (or other award giving entity)
  • The agent/manager taking the money you owe your random family members
  • Lunch lady (who at one point in middle school said you looked like a heavier and more ethnic Desi Arnaz, forcing you to ask yourself how ethnic that made you)
  • Any other special person in your life whom you couldn’t be here without (bookie, drug dealer)
  • God (or Harvey Weinstein…your choice)

Hmm, once you actually put it in writing, this is a long laundry list you are bound to not remember when your name is called.

So let’s trim the…ahem…ethnic fat:

  • I don’t have kids, so we can cross that one out.
  • Wife? #sadface.
  • Parents? I’m a softie for my parents, so this one is staying on.
  • Siblings and random family members? Nope. I only have 45 seconds, I mean, come on. 
  • Director and producers? I have a better idea, I’ll just say something like, “I’d also like to thank everyone involved with the film, from the director to the grips and PA’s.” That should take care of a lot of people.
  • The Academy of Motion Picture will get a thanks because they did something at some point…I guess.
  • Agents and managers should get a nod, just one though because the second nod is another 10%.
  • Lunch Lady? Fuck her. 
  • God? Technically he could be written in as a producer, but no one likes someone who takes credit for work they didn't do (FYI: the views expressed here are the views of Hassel and in no way the views of Writer’s Bone, but Daniel and Sean are nodding), so I think Harvey Weinstein would be my choice to thank instead of the Big Man.

Phew, I think that makes for a solid acceptance piece. That was a lot to fit into 45 seconds.

Now I just need someone to fund my “Post-Apocalyptic Little House on the Prairie” script (for your consideration…), and I’ll be on my way to the dais!

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Remembering Sid Caesar: His Show of Shows Made Our Shows

"The trouble with telling a good story is that it invariably reminds the other fellow of a dull one." Sid Caesar

"The trouble with telling a good story is that it invariably reminds the other fellow of a dull one." Sid Caesar

By Sean Tuohy

Sid Caesar passed away last Wednesday night.

Caesar had one of the first hour-long comedy shows on American television, he jump-started the careers of a dozen comedy heroes, and he had been acting in television and movies for nearly sixty years! Still don't know him?

Wait, there's more! He was the coach in "Grease." He was the one who helps John Travolta get into shape.

That guy! That guy was the man who help shaped television comedy. Without Ceaser's wacky off-the-wall comedy and his showmanship there would be no "Saturday Night Live," "Family Guy," or any other television comedy program.

Caesar was brought to Americans from coast to coast with his show "Your Show of Shows." This program combined goofy humor, vaudeville, and Broadway musicals.

Sid knew how to capture an audience and how to keep them laughing. "Your Show of Shows" featured over the top skits like the famed "The Clock" skit and "The German General" skit which left viewers slapping their knees.

There had never been anyone like Caesar before because, well, there had never been television before. Caesar had what every comic wants: perfect timing, facial features that could make a British solider laugh, and the ability to work a crowd.

Caesar also had an eye for talent. When putting together the writing staff for "Your Show Of Shows"  Caesar went out and hired several unknown writers: Mel Brooks, Woody Allen, Carl Reiner, and Neil Simon. He approached comedy writing like an art form. He spent long hours working on a single joke until he knew it was perfect. His staff spent hours locked away in a room coming up with skits. Caesar was known for a short temper which kept his young staff in check. He once held a young Mel Brooks out a window in downtown New York City because Brooks didn't find one of Caesar's jokes funny.

"Your Show of Shows" only lasted for one year, but its impact on comedy writing and the culture is everlasting. I would discover Sid Caesar at the age of 19 and from that point forward dream about working in a comedy writing room like "Your Show of Shows." With Sid's passing I feel that part of comedy has died. I cannot allow myself to get to sad because Sid would have not wanted that. He would want me to crack a joke and make someone laugh, even if it was at his expense.

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