The Mothers

The 35 Best Books of 2017

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By Daniel Ford

2017 was a remarkable year for fiction and nonfiction. From fearless debut novelists to established literary veterans at the top of their games, authors provided the artistic tonic we needed to survive a turbulent time both politically and culturally.

Narrowing down a reading list of 116 titles to just 35 was torture. The final grouping you’re about to read (and judge) could have easily been expanded to include 50 to 60 books. Please feel free to debate my choices and add your own in the comments section or tweet us @WritersBone.

As always, keep reading everyone!  


35. Smothered by M.C. Hall

Megan Cassidy Hall deserves a writing award for the faux-comments section alone. Her epistolary exploration of a sensational crime, and how society reacts to it, is both haunting and incredibly sad.  


34. Found Audio by N.J. Campbell

I still have this trippy, mind-bending novel in my head. You’ll question your own reality after reading this, but you won’t question N.J. Campbell’s talent.  


33. Marcel’s Letters by Carolyn Porter

In a year when we desperately needed as many genuine love stories as possible, Carolyn Porter delivered a great one. Her hunt for the truth behind a World War II survivor’s letters led to a splendid and deeply personal read (as well as a beautiful font!).


32. Apollo 8 by Jeffrey Kluger

Jeffrey Kluger’s return to the Apollo missions provided 2017 with the same burst of hope that Apollo 8 gave 1968 (one of the most turbulent years in American history). A thrilling narrative featuring the crew of Apollo 8 that reminds you of what Americans are capable of when reaching for the same stars.


31. Blurred Lines by Vanessa Grigoriadis

Vanessa Grigoriadis’ curious and wide-ranging reporting in Blurred Lines warmed my journalist soul even while making my skin crawl. Sexual assault on campus remains a complicated, serious issue, and, judging by Grigoriadis’ revelations, will continue to be one until colleges and universities make even more substantial changes to their policies and punishments.  


30. An Unkindness of Magicians by Kat Howard

There’s not a bad sentence in this book. Kat Howard should be a household name. She makes you care deeply for all of her characters—even the evil ones—as she’s putting them all through (magical) hell.


29. The Weight of This World by David Joy

David Joy is the poet of broken characters. He gets better and better with every novel. The Weight of This World puts a hole through your heart with a shotgun and uses bourbon to salve the wound.  


28. The Last Ballad by Wiley Cash

Ella May Wiggins lives in the past, but would be right at home fighting against our current political demagogues. She’s a reluctant rebel, one driven to protest in order to feed her starving family. A finely drawn supporting cast experiences the novel’s tragic events through myriad personalities, racial identities, and disparate classes. Urgent historical fiction of the highest order.


27. Days Without End by Sebastian Barry

Still amazed at the answers Sebastian Barry gave during our podcast interview earlier this year. He combined his love of the American Civil War stories and his son to deliver a truly remarkable western.


26. The Lost Prayers of Ricky Graves by James Han Mattson

A powerful read about the aftermath of a terrible tragedy perpetrated by a lost and confused teenager. No one comes off looking particularly well in this narrative, told in part through email chains and online chats, but it’s that broken humanness that makes The Lost Prayers of Ricky Graves so devastating and gripping. Top-notch writing.


25. Home Fire by Kamila Shamsie

The first chapter alone should win some kind of literary prize. It sets the tone of the novel and feels so immediate considering the political climate in the United States and around the globe. And that ending…so good!


24. The Story of My Teeth by Valeria Luiselli

The Story of My Teeth further cements Valeria Luiselli as one of the most important voices in fiction and nonfiction. Read this and everything else she’s written.    


23. American War by Omar El Akkad

American War is a cautionary tale that seems more and more realistic with each passing day. It’s a visceral, brutal thriller that peels apart the many layers of American dysfunction and partisanship.


22. The Animators by Kayla Rae Whitaker

Mel Vaught and Sharon Kisses were two of my favorite main characters in 2017. Whitaker puts them through hell (some of it self-inflicted), but never leaves them completely hopeless. Author Julie Buntin called this novel “goddamned brilliant” in June’s “Books That Should Be On Your Radar,” and she’s 100% goddamn right.


21. What It Means When A Man Falls From the Sky by Lesley Nneka Arimah

Lesley Nneka Arimah’s short story collection is masterful. I had so much fun listening to Levar Burton read the title story on his podcast "Levar Burton Reads," and then hearing Arimah talk about the collection on a later episode.


20. Hum If You Don't Know the Words by Bianca Marais

Bianca Marais’ storytelling is so mesmerizing that you’ll constantly mutter, “Just one more chapter…” while reading the novel. Robin and Beauty don’t have it easy for much of the narrative, but they’re equal parts fragile and flinty throughout the narrative. Marais’ sparkling debut explores everything from race relations to familial bonds.


19. The Force by Don Winslow

How do you follow up The Cartel, one of the best novels written about the ongoing drug war in Mexico and the Southern United States? If you’re the master of crime fiction, you write The Force, a gripping thriller about a corrupt cop in New York City. A master class in dialogue and plot.


18. The Refugees by Viet Thanh Nguyen

Viet Thanh Nguyen won the Pulitzer Prize for The Sympathizer (#2 on last year’s list), and followed it up with an equally compelling, earthy, and poignant short story collection. He’s rightly become an essential voice on the literary scene.


17. Dark at the Crossing by Elliot Ackerman

It’s been such a joy following Elliot Ackerman’s career as a journalist and novelist. His debut Green on Blue was one of our favorite novels in 2015, and his stellar sophomore effort, Dark at the Crossing, was nominated for this year’s National Book Award.   


16. I Was Told To Come Alone by Souad Mekhennet

I Was Told To Come Alone is an extraordinary memoir about a life in journalism. Souad Mekhennet’s journey from inquisitive child to fearless reporter tasked with communicating with jihadists is impossible to forget. Her final chapter is a call to arms for journalists and global citizens alike.


15. The Mothers by Brit Bennett

This is the first book I read in 2017, and it really set the bar high. Bennett’s wisdom and verve are evident on every page. I found myself falling in love with the characters all over again revisiting the novel for this post. 

Note: The Mothers was published late in 2016, but I read it in January 2017 so I'm counting it for this year's list. It's my post, I can do what I want!


14. Salt Houses by Hala Alyan

I loved how Hala Alyan structured her debut novel. She wrote from multiple characters’ perspectives and jumped forward several years in the timeline throughout the book. This allowed her to explore themes like the aftermath of war and the development of familial relationships in a really heartfelt way. Her dialogue sang like poetry.   


13. Sirens by Joshua Mohr

Joshua Mohr’s fiction is defined by brutal honesty. He upped the stakes by telling his own sordid (Mohr’s adjective of choice) tale. Make sure you listen to Mohr read from a section in Sirens (sure to elicit both laughter and tears) from our live event at Porter Square Books earlier this year. Very much looking forward to the follow up Model Citizen!


12. Stephen Florida by Gabe Habash

I finished Gabe Habash’s insanely well written debut in one sitting. Spending time in Stephen Florida’s head was like sitting on top of a runaway freight train.


11. Mrs. Fletcher by Tom Perrotta

The only thing I enjoyed more than this steamy satire was discussing it with Dave Pezza for #NovelClass. I loved the way Perrotta depicted his middle-aged female lead and how he crafted her eclectic supporting cast.


10. Marlena by Julie Buntin

As you’ve probably noticed, I’m a sucker for coming-of-age stories. Julie Buntin’s Marlena is one of the best ever written, and one that makes me want to up my writing game. It’s been rightly feted all year, and I’d love to see this story on screen.


9. Exit West by Mohsin Hamid

“Moving,” “romantic,” “tender,” and “violent” are all words I used to describe Exit West back in March. One of the central questions Hamid attempts to answer is, “Can new love blossom and survive in a war zone?” His answers are as poetic as they are heart breaking. And it all starts with this stellar opening line: “In a city swollen by refugees but still mostly at peace, or at least not yet openly at war, a young man met a young woman in a classroom and did not speak to her.”


8. Little Fires Everywhere by Celeste Ng

Celeste Ng has no rival when it comes to crafting characters. Those that populate Little Fires Everywhere are deliciously damaged. Tangled small town drama has never been this illuminating.


7. Sing, Unburied, Sing by Jesmyn Ward

Jesmyn Ward’s National Book Award-winning Sing, Unburied, Sing has its own heartbeat that you feel through its spine. All the ghosts that her characters are living with feel like they’re right next to you as you read.   


6. Lucky Boy by Shanthi Sekaran

Soli, one of Lucky Boy’s main characters, is one of the most memorable, tough, and fierce mothers in fiction. You’ll find yourself rooting just as hard for her brilliant counterpart Kavya. Between them is a young boy unaware of the passionate struggle to claim him on both sides of the U.S.-Mexican border. I read this early in 2017 when the first of President Trump’s Muslim bans was enacted. It was a powerful read then, and remains one now in the face of continued xenophobia and discrimination.


5. Spaceman of Bohemia by Jaroslav Kalfar

Deep space, an astronaut tortured by the romance he left behind, and a spider that may or may not be imaginary. What’s not to love? Plus, my favorite cover of the year (not biased at all by the giant coffee cup)!


4. Goodbye, Vitamin by Rachel Khong

I’m still amazed that Rachel Khong packed so much heart, humor, and human themes into such a short novel. Khong is one of my favorite risk-taking debut novelists.


3. What We Lose by Zinzi Clemmons

Speaking of risk-takers, Zinzi Clemmons wrote an innovative, emotionally devastating novel that I continually re-read to get inspired. She’s a must-follow on Twitter as well.  


2. All Grown Up by Jami Attenberg

I, perhaps unfairly, have compared every book I’ve read in 2017 to Jami Attenberg’s flawless All Grown Up. Attenberg told me in a podcast interview earlier this year that she wanted to “write something funny and contemporary, and loose and bittersweet.” She succeeded on all levels. This novel will be on my annual re-read list for years to come.


1. Pachinko by Min Jin Lee

Epic in scope and passionately written, Pachinko has been my number one since the day I started reading it. Min Jin Lee is a treasure. “History has failed us, but no matter,” my favorite opening line of 2017, still gets me.  


Honorable Mention

Setting Free the Kites by Alex George, The River of Kings by Taylor Brown, Unsub by Meg Gardiner, What We Build Upon the Ruins by Giano Cromley, The Impossible Fortress by Jason Rekulak, Garden of Lost and Abandoned by Jessica Yu, She Rides Shotgun by Jordan Harper, The Wanderers by Meg Howrey, The Good Assassin by Paul Vidich, The River at Night by Erica Ferencik, Exit Strategy by Steve Hamilton, Trajectory by Richard Russo, Fierce Kingdom by Gin Phillips, Have You Met Nora? by Nicole Blades, White Fur by Jardine Libaire, Colorado Boulevard by Phoef Sutton, Hollywood Homicide by Kellye Garrett, Borne by Jeff VanderMeer, My Absolute Darling by Gabriel Tallent, Strange Weather by Joe Hill, In the Distance by Hernan Diaz, The Names of Dead Girls by Eric Rickstad, One of the Boys by Daniel Magariel, Wedding Toasts I'll Never Give by Ada Calhoun

14 Books That Should Be On Your Radar: January 2017

Every month, the Writer’s Bone crew reviews or previews books we've read or want to read. This series may or may not also serve as a confessional for guilty pleasures and hipster novels only the brave would attempt. Feel free to share your own suggestions in the comments section or tweet us @WritersBone.

The Mothers by Brit Bennett

Daniel Ford: December and January are typically the months I frantically catch up on all the books I wasn’t able to fit into my reading schedule during the previous year. Brit Bennett’s soulful and empathetic debut The Mothers was one of the novels I was desperate to catch when it debuted but didn’t end up reading until the beginning of this year. I’m happy to report this book was well worth the wait.

Bennett showcases wisdom and verve well beyond her years. The novel, set in a black community in Southern California, begins with academic standout Natalie Turner considering an abortion after being impregnated by Luke Sheppard (the preacher’s son and injured football star). If that weren’t enough, Turner is still reeling from her mother’s suicide and her father’s distant grief. She finds friendship with Aubrey, who on the surface appears devoutly religious and squeaky-clean, but harbors her own secret past. In fact, the only people able to keep up with all the secrets in this novel (although they tend to be the wrong ones) are “the mothers,” a group of town women who likely found themselves in similar circumstances once upon a time.

Bennett’s dialogue matches each character exquisitely. Natalie’s is often angrily blunt and forceful, backed by intelligence and sadness. Luke mangles his words at times, never quite saying what he means, but revealing enough that readers are able to at least peek into his soul. Aubrey, who is arguably as damaged as Natalie, still retains a sense of innocent longing with her interactions, but isn’t afraid to cut right to the heart of the matter when pushed too far by Natalie or Luke.

The Mothers could have easily been a syrupy, paint-by-numbers drama in less capable hands, however, Bennett matches her pitch-perfect dialogue with lyrical prose that elicits just the right literary notes. Natalie, Luke, and Aubrey all stumble and regress at times, all the while revealing insights into the true nature of community, love, race, belonging, family, friendship, and ambition. Add The Mothers to your nightstand as soon as humanly possible, and put Bennett on your list of authors to watch.      

The Association of Small Bombs by Karan Mahajan

Daniel: A small bomb explodes in a crowded marketplace in Delhi in the mid-1990s. Two young brothers are killed, while their friend is both physically and psychologically scarred. Families mourn, government officials and security forces promise easy justice, and both terrorists and vigilant citizens follow new paths.

So begins Karan Mahajan’s masterful and devastating novel The Association of Small Bombs. Through the eyes of his conflicted characters, Mahajan examines how subtly and profoundly society is altered by “small” terrorist attacks. The author squeezes the humanity out of every character, including the perpetrators, and adds nuance to every decision and action they take. The novel is most effective in its “small” moments: A disillusioned victim finding solace and healing in prayer, a mournful father losing himself in his work, mothers confronting the limitations of their love and security, terrorists battling with internal and external demons, and a population striving for normalcy in an increasingly dangerous and uncertain world.

Mahajan’s sentences are a joy to read, even when he’s twisting your emotions to their breaking points. Considering the times we live in, as well as those we have endured during the last several decades, The Association of Small Bombs is not to be missed.

Sirens by Joshua Mohr

Sean Tuohy: Sirens, the brutally honest memoir by Joshua Mohr that will be released on Jan. 17, carries a hard punch. Mohr is blunt and upfront about his issues with addiction, however, don’t think this is a breezy, uplifting tale about a man overcoming his issues. Sirens features the ugly side of getting clean and relapsing, and Mohr bares his soul to further prove that addicts are never truly over their addictions. Make sure to listen to my interview with the author later this month.

The River at Night by Erica Ferencik

Adam Vitcavage: Erica Ferencik was inspired by “Deliverance” while writing The River at Night. Both are about unfortunate events deep in the wilderness. Ferencik’s takes place in Maine after a girls’ trip goes awry. The first-person narrative puts readers right in the plight, but the author’s focus isn’t too narrow. She carefully considers all points of view as she slowly unfolds the plot. One thing that stood out was the tight pacing that is frantic for the characters, but very breathable as a reader. The tidy construction of events is important for a thriller like this and Ferencik does not fall short.

TV (The Book) by Alan Sepinwall & Matt Zoller Seitz

Daniel: Alan Sepinwall and Matt Zoller Seitz—two of my favorite television critics—begin TV (The Book) with a question that’s long been a staple of living room couches and barroom debates: What’s the greatest TV show of all time? To arrive at the answer, the duo used a scoring system to rank the top 100 scripted shows. The result is a heartfelt, wonderfully written love letter to the small screen. While I was glad many of my favorite shows ended up on the list (Gentleman, I forgive you for leaving off “Men of A Certain Age,” but yay for “Terriers!”), I found myself even more enthralled with the shows I either hadn’t known about or haven’t seen in many years. I went back and watched shows like “Malcolm in the Middle,” “I Love Lucy,” and “The Dick Van Dyke Show” with fresh eyes, marveling at the things I missed during my first viewing.  

Sepinwall and Seitz’s passion for television—and for writing in general—is evident in every essay, but it’s the debate at the beginning of the book that stands above everything else. Their ranking system produced a five-way tie for first place (a true battle royal between “The Sopranos,” “Cheers,” “Breaking Bad,” “The Simpsons,” and “The Wire”), which led to an intense Google Chat discussion between the authors about who deserved the top spot. The debate features some of the most insightful critical writing I’ve ever read. The history, trivia, and episodic memories that follow are infinitely readable and shareable (You’ll surely annoy the significant other in your life by starting every conversation with, “Did you know that…”).

TV (The Book) is essential reading for any TV nut who frequently shouts, “Yes, Netflix, I am still f$%76-ing watching!”

Moonglow by Michael Chabon

Gary Almeter: I was giddy when, back in July, I became one of the first to place a request for Michael Chabon's Moonglow. This meant that I would be among the first to get it from the library upon its publication. Like the “Seinfeld episode” where the rental car place is good at taking the reservation but less good at holding the reservation, I am very adept at placing the hold requests and less adept at managing the requests. As such, I was in the middle of reading Nathan Hill's The Nix when I received an email from the library that Moonglow was available (along with Jonathan Lethem's A Gambler's Anatomy, Thomas Friedman's Thank You For Being Late, and John Edgar Wideman's Writing to Save a Life: The Louis Till File). 

With all that said, I only read the first chapter of Moonglow before I had to return it. It was not renewable because other, less astute library patrons had put request holds on it. However, the chapter I read was astonishing. Every sentence was an adventure. Sentences like, "Before the day of his arrest, my grandfather had distinguished himself to his coworkers only twice. During Game 5 of the 1956 World Series when the office radio failed, my grandfather had repaired it with a vacuum tube prized form the interior of the telephone switchboard.”

It became apparent that I was going to need all three weeks the library allots its patrons to give Moonglow the attention it warrants. I re-requested it and it remains on my radar screen.

Blankets by Craig Thompson

Adam: Start your year off with this lengthy comic memoir about Craig Thompson’s coming-of-age experiences. The majority of the plot unfolds after Craig meets Raina at a winter church camp, but you don’t have to be religious or from the Midwest to connect with Thompson’s poignant narrative. It offers that cozy feeling that your favorite novel or television series provides, but with a unique perspective that you might not be used to. For those of you who aren’t comic fans, fear not because the stark black and white art is beautiful and his prose is very fulfilling. It may be long, but you’ll be able to devour this fairly rapidly.

Juggling Kittens by Matt Coleman

Daniel: As I mentioned on Twitter in December, Matt Coleman’s debut novel Juggling Kittens had a lot in common with James Tate Hill's Academy Gothic. It’s sarcastic fun, and features an unsettling mystery. Newly minted teacher Ellis Maze has a pregnant wife at home and a wacky, but loyal and plucky, superior named “The Drew,” so why wouldn’t he add an unwise and haphazard murder investigation into the mix?

While Maze’s search for a missing student keeps the pages turning, Coleman’s subtle exploration of rural life, education, relationships, parenthood, and America’s response to 9/11 is the novel’s true selling point. I’m also not ashamed to admit that I would pay good money to watch The Drew in a hot dog eating (while he’s downing PBRs and cursing the entire time).     

The Man Who Shot Out My Eye Is Dead by Chanelle Benz

Adam: Creating multiple, distinct voices over a short story collection is perhaps one of the hardest concepts for a writer to grasp. Even the lauded Phil Klay's award-winning collection Redeployment struggled with this (though it didn't struggle with much else). Chanelle Benz's The Man Who Shot Out My Eye Is Dead succeeds in creating visceral voices over the course of centuries of time. The writer is able to engage readers in invigorating stories about a 16th century monk to a 19th century baroque piece narrated by a chorus of We. "The West of Known,” the opening story, garnered Benz a lot of recognition when it was first published in The American Reader. The story earned her an O. Henry Prize and is an astonishing piece to introduce yourself to her writing. "James III" is a modern piece about violence and family that is narrated from the perspective of a high school freshman in Philadelphia. However, what stands out about Benz's writing is not the thought provoking plot; instead, it is the voice she is able to give James. He feels so real. So do all of her other narrators. Each one is a unique human who really lived. They're not just characters in a short story collection.

The Infidel Stain by M.J. Carter

Daniel: M.J. Carter’s debut novel The Strangler Vine was a fun adventure deep within the heart of India that introduces readers to the unlikely duo of Blake and Avery. The Infidel Stain, which takes place three years later in Victorian London, finds the pair investigating the troubling murders of several disreputable publishers (is there any other kind?). Blake and Avery are a little worse for wear following their harrowing Indian experiences (especially Blake who spends much of the novel recovering from ailments, beatings, and grumpiness), but they still have enough of their deductive powers to hunt down the perpetrators that the city’s elite population and its corrupt police force would rather see stay in the shadows.

Carter’s novels satisfy the history nerd in me without being overly expository or pedantic. She builds a world in which you can smell, feel, and taste the grime and grandeur of London in 1841, as well as keep you guessing on where the story is ended next. Blake and Avery also prove once again that their hearts are always in the right place, even when one is slowly (or rapidly) driving the other crazy. I can’t wait to read the next book in the series, The Devil’s Feast, when it goes on sale in March 2017! 

Another Man's Moccasins by Craig Johnson

Daniel: I typically save one of Craig Johnson’s Walt Longmire novels for my end-of-the-year reading. I prefer to savor my interactions with Walt rather than indulge my literary desires and binge-read every one of his adventures. Johnson’s plots are always fun and unexpected, but it’s the time he takes eavesdropping on Walt’s inner monologue that makes all the yarns truly special. Another Man's Moccasins—Book 4 in the Walt Longmire series—just might be my new favorite. Walt finds a dead Vietnamese woman on the side of the road, and during his investigation, he’s haunted by a similar crime he sought answers to during the Vietnam War. Flashing back to Longmire’s war service, Johnson explores the themes of race, family, soldiers, and, as always, the mistreatment of Native Americans. If the series only gets better from here, I’m definitely going to have to revisit my Walt Longmire reading strategy. Boy howdy!   

Author’s Corner

Steph Post took some time out of promoting her new novel to share three books on her radar. Post’s Lightwood is out Jan. 24! Pre-order in bulk!

Be Cool by Ben Tanzer

Be Cool by Ben Tanzer is one of the most raw, honest, and hilarious memoirs I've ever read. Ben has a voice like no one else, fresh and self-deprecatingly witty, and his memoir tackles an issue I think we've all been dealing with since we were 11: how to be cool. Ben is a prolific writer, but Be Cool has to be my favorite of his works.

Leadfoot by Eric Beetner

Leadfoot by Eric Beetner is the follow up to Rumrunners, but goes back to the 1970s to tell the story of Calvin McGraw—the most badass old man character I've ever read about—in his prime. The McGraws remind me a lot of the Cannon family in my own novel Lightwood, and I swear one day our two fictional families are going to end up in a showdown. The McGraws are a hard luck outlaw family, and, in typical Beetner fashion, Leadfoot delivers everything you'd expect in a fast-paced, motor-fueled dark and funny caper.

Beachhead by Jeffery Hess

Beachhead by Jeffery Hess is another fast-paced read and this one is set in Florida in the 1980s. It's got everything you need in a killer crime and mystery read, but also has that beer-blurred sandy feel that I love about the "sunshine noir" genre. I think Jeffery is going to be a writer to keep your eye on in the future.

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