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Home Stretch: Gimlet and 'Ash & Ice' by The Kills

home-stretch-gimlet-the-kills

By Dave Pezza

And we’re back with the third installment of Home Stretch, a cocktail and album paring designed to shoo away those hump days fits and tantrums. This week’s choices are as straightforward as they are enjoyable: the gin-based Gimlet and The Kills’ 2016 album “Ash & Ice.”

The Kills are composed of Nashville-based vocalist Alison Mosshart (also of the band Dead Weather) and U.K.-based guitarist Jamie Hince. For a band that is just vocals, guitar, and occasional percussion, it packs a wallop of noise into each song. Their earlier albums are a bluesier, dirtier version of The White Stripes. I highly recommend their self-titled first album—it’s raw, powerful, and danceable—but “Ash & Ice” forms a complex and intricate tapestry of sounds from the band's simple parts unlike any of their previous releases. Similarly, this week’s cocktail, the Gimlet, incorporates simple ingredients into a shockingly enjoyable flavor profile that is preferable to the ubiquitous gin and tonic.

What you’ll need:

  • 2.5 oz. dry London gin
  • 0.5 oz. simple syrup
    • 1 cup of sugar
    • 1 cup of water
  • 0.5 oz. lime juice
  • Lime for garnish
  • Cocktail or highball glass
  • Cocktail shaker
  • Ice

Legend has it that the Gimlet was developed in the British Navy to fight off scurvy. The drink neatly combined the sailor’s daily ration of lime and gin. If you like gin and tonics, you’ll love the Gimlet. If you don’t like gin and tonics, still give it a try. The simple syrup and lime complement the gin as opposed to attempting to mask it with tonic.

0.5 oz. of Simple Syrup/“Doing It to Death”

We’ve talked about how to make simple syrup before, but for those that need a quick recap, just add a cup of sugar and a cup of water into a medium saucepan over medium heat, bring the sugar and water to a boil, lower heat and simmer for three minutes (or until the sugar is fully dissolved), and set aside to cool.

“Doing It to Death” is similar to the simple syrup in this cocktail because it appears a little onerous at first, however, it really breaks down the entire album’s sounds, effects, and elements right off the bat. Just as the syrup adds a demurred sweetness to the cocktail, “Doing It to Death” gives you a taste of all that is too come, and perhaps leaves you wanting more. The guitar riff is spot on, but also sparse, leaving a craving in your ears for more of Hince’s absurdly good riffs. Add 0.5 oz. of your simple syrup to a cocktail shaker along with some ice. (Reminder: you can store your simple syrup covered in the fridge for a few weeks.)

0.5 oz. of Lime Juice/“Hum for Your Buzz”

Add 0.5 oz. of lime juice to your cocktail shaker. The lime in this drink plays an important role in accenting the flavor of the gin. In a gin and tonic, limes break up the strong tonic flavor used to break up the strong gin flavor. In a Gimlet, all of the elements communicate with each other. The lime adds citrus tones to the sweetness of the simple syrup and links that sweetness to the herbal, refreshing qualities of the gin.

“Hum for Your Buzz” could be the best song on this album. It's extremely stripped down, only featuring guitar and Mosshart’s vocals. The two elements are so incredibly in sync that at times the sounds create one image in your head as you listen. “Hum for Your Buzz” is quintessential The Kills, bluesy riff, kickass vocals with lyrics of heartbreak, redemption, and nonchalance that puts everything in perspective. If nothing from this article grabs you or prompts you to buy this album or make this cocktail, at the very least listen to this song on Spotify (or whichever streaming service you prefer). This track will perfectly lull you into a Wednesday night stupor of released frustrations and affirmed misgivings while you sip your Gimlet. Like the lime juice in this cocktail, “Hum for Your Buzz” takes the energy of the faster tempo of the album's first half and slows them down, easing you into some deeper, ballad-esque tracks.

2.5 oz. Dry London Gin/“Siberian Nights”

Again, I am a big proponent of Beefeater’s gin. It’s a solid middle of the road gin with a robust taste at a reasonable price. In my opinion, it’s the complete opposite of Bombay Sapphire. That being said, add 2.5 oz. of your preferred gin to your cocktail shaker. You’ll taste plenty of gin in this drink, obviously, but the selling point of gin is that it’s a sipping-friendly alcoholic beverage that is refreshing as it is potent. It’s perfect for weekday drinking, and perfect for increasingly warmer nights.

“Siberian Nights” also takes a middle road. The song's drums track is quick and sharp, Hince’s guitar crawls through the song, and Mosshart all but croons the lyrics. “Siberian Nights” presents a dichotomy that somehow gets your body swaying and your throat humming.

Shake, Pour, Garnish/“Echo Home”

Pop the lid on your shaker, shake until ice cold, pour in a cocktail or an Old Fashioned glass, and garnish with a lime wheel.

“Echo Home” is a ballad that builds slowly over delicate and soft guitar in conjunction with soft lyrics. It builds and builds and then releases without a crescendo, letting go of the energy effortlessly. This tune is a staggeringly appropriate end to your night. Sip, float away, and repeat.

Cheers!

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Home Stretch: Corpse Reviver #2 and “Too Far to Care” by Old 97’s

(Corpse Reviver #2 photo courtesy of urbanbohemian)

(Corpse Reviver #2 photo courtesy of urbanbohemian)

By Dave Pezza

It’s Wednesday evening and holy shit you could really use a stiff cocktail and some good tunes to lull away the fact that two more days of legal torture stand between you and sweet, righteous freedom.

Per usual, Writer’s Bone has got your back. Welcome to “Home Stretch.” Here you’ll get a cocktail and an album pairing to help you through the week’s last leg. Why cocktails? Why albums? Both are endangered species slowing making comebacks. And because it’s my weekly column, and imma do what I want.

For the commencement of this new series I’d like to introduce two personal favorites that share an undercurrent of devil-may-care attitude masked in a banal packaging that makes them strong contenders for these mid-week, almost-summer nights: Corpse Reviver #2 and “Too Far to Care” by Old 97’s.

An old school cocktail, the Corpse Reviver #2 is precisely what its name suggests. It is the second variation in a family of drinks that were traditionally used as hair-of-the-dog cocktails. In the beginning of the 20th century, the social norm included drinking, constantly (so much so that they outlawed it…unsuccessfully, of course). So you can imagine the hangover as the scourge of the early 1900s. Thankfully, hangover cures were not limited to acid-heavy Mimosas and eye-watering Bloody Marys. Gilded Age drinkers had an entire repertoire of drinks to combat that pesky problem associated with weekday drinking. That being said, I’d recommend this cocktail as a competent evening drink that can easily substitute for a martini, gin and tonic, or vodka soda. Ingredients and paraphernalia upfront:

  • 1.5 oz. dry gin
  • 1.5 oz. Kina Lillet (which is not vermouth)
  • 1.5 oz. Cointreau (triple sec will do in a pinch)
  • Dash of Absinthe (yeah, that’s right)
  • 1 oz. lemon juice
  • Cocktail glass
  • Cocktail shaker
  • Bar jigger (Just buy one already! It really brings the best out of a cocktail if it is properly proportioned)

This week’s album, “Too Far to Care,” is Old 97’s most successful and most encompassing of their diverse sound. The band is probably best known for their single “Question,” which plays during the proposal scene on the sitcom “Scrubs.” Old 97’s have been plugging away since the early 1990s, killing Texan rock and alt-country for decades. An album that is easily to sing along to, “Too Far to Care” grabs you with guitar riffs of first love, whaling of love lost, and all the alcohol infused musical meanderings in between. Both of this week’s choices will lull you into a false sense of ease before hitting you hard when you need it most.

1.5 oz. of Gin/”Timebomb”

The album kicks off with “Timebomb” a head rocking, body swaying anthem to those first dates that rock you to your core, kind of like the first ingredient in this week’s cocktail: gin! To all you gin haters out there, this might be the least ginny (Weasley) gin drink out there. Gin is the base alcohol here, the alcohol that sets the flavor profile for the rest of the cocktail. Gin will make this drink easy on the pallet, effervescent, and accented with citrus and other fruity undertones. It’s perfect for a Wednesday night: Karen from HR has been on your ass about 401k contributions, and you just want to relax with a soothing, but strong drink. I like dry London gin like Beefeater’s, but this is your Wednesday night. Fill a quarter of the cocktail shaker with ice, and, while you’re there, place your cocktail glass in the freezer (you’ll need it chilled for later). Add an ounce and a half of gin to your shaker.

1.5 oz. of Cointreau/”Barrier Reef”

The album’s second track, “Barrier Reef” is a crooning ode to drunken rebound sex. He’s drunk, she’s had better-looking lays, but they’re both glad they’re not still at that bar drinking to forget someone else. Cointreau works better wherever triple sec works, even though it technically isn’t triple sec. Cointreau is the alcohol that helps round the sharp flavors of the alcohol it accompanies: tequila in traditional margaritas, vodka in a cosmo, or bourbon in a Seelbach. Here it masks some of the saffron/herbal taste typical of gin with an orange tang. Go ahead and add an ounce and a half of Cointreau to your shaker.

1.5 oz. of Kina Lillet/”Big Brown Eyes”

“Big Brown Eyes” is a subtle song that quietly steals the show in this album. It’s a rumpus ballad about a drunk stumbling for a phone to make ill-advised calls to that girl with big brown eyes. Kina Lillet is the phone in this cocktail, always found enabling stronger liqueurs. Kina Lillet is an aromatized white wine used in a shitload of old school cocktails. It’s most famous for its use in the famous Vesper Martini from Ian Fleming’s first James Bond novel, Casino Royale. Lillet fell off the face of the earth for a while when the manufacturers retired the “original” recipe. But it is back and should be stocked at any decent liquor store. Add an ounce and a half of Lillet to the shaker. Quick tip, once open, like any wine, Lillet will go bad. Lillet Blanc (which is what you are using here) is a white wine and will hold up decently if properly re-corked and stored in the fridge.

1 oz. of Lemon Juice

Quickly add an ounce lemon juice to the shaker. I don’t have a clever song pairing for lemon juice, it’s just lemon juice…

Dash of Absinthe/”Niteclub”

Shake that bad boy up until your hand starts to freeze. Grab the cocktail glass from the freezer, pour a dash or two of absinthe into the glass, and slowly turn the glass so as to coat the entire inside with absinthe. “Niteclub,” gathers all the album’s emotions and releases it in a display of frustration and regret, shedding inhibition and giving in to the deep-seeded emotional response called “fuck it.” The alcoholic equivalent of this emotion is absinthe. Yes, it’s legal in the United States, and, yes, it’s expensive. Pernod absinthe is the bee’s knees, but it’ll run you $80 for 750ml. I’d opt for a brand like Absinthe Ordinaire: it is more affordable at half the price, especially for a drink that requires only a dash of this magic green liquor. Having an open bottle on your bar top will be worth it come Friday night. A shot of that stuff will get your weekend started right quick.

Drink

Pour and enjoy! The albums back half will play out with some mild bluegrass and country toned tracks that are sure to set your nerves at ease. Garnish with a maraschino cherry or a lemon peel if you will.

Saluti.

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Scotch, Cocktails, and Beer: Your Drinking Guide to the 2015 Best Picture Oscar Nominees

Michael Keaton in "Birdman"

Michael Keaton in "Birdman"

Oscar night should find you dressed in white tie and tails, drinking a fine alcoholic beverage, and enjoying anything other than the Academy Awards broadcast.

In order to add a little extra buzz to your weekend movie-watching, the Writer’s Bone crew put their heads together and came up with the perfect spirits to pair with this year’s Best Picture nominees.

Cheers!

“American Sniper”

Daniel Ford: A six-pack of Budweiser…but keep it away from the fake baby!

“Birdman”

Sean Tuohy: Scotch…a lot of scotch. But you have to start with bad scotch, like the worst kind you can find, and then move onto top-tier stuff. Just like the characters in the movie, you start at the bottom and work to the top....only to throw yourself out a window because you realize you are drinking by yourself on a Friday night and you are not Batman.

DF: Ah, Riggan Thomson (played by Michael Keaton) would drink Jameson right before eviscerating a New York City theater critic. I’m sure it also helped Riggan deal with pain caused by Ed Norton’s character Mike taking a dump on his reason for becoming an actor. Also, if you’re going to drink this while watching the movie, you must do it in one take.  

Lindsey Wojcik: Drink gin alongside Mike as he goes method for his Broadway role. Gin could be the ideal elixir for navigating the ambiguity of the film.

“Boyhood”

Stephanie Schaefer: Anything you can steal from your parent’s liquor cabinet.

DF: Handle of rotgut vodka. Just don't be like Mason’s first stepfather and hide your jug in the laundry room (also don’t send your kid in to cash your bogus check at the package store). Have some class and add a splash of OJ at the very least.   

“The Imitation Game”

DF: A gin and tonic goes well with brilliant English mathematicians besting Nazis, right?   

ST: Pimm’s. The most English drink on the planet.

“The Grand Budapest Hotel”

DF: Sherry.  However, to borrow Amy Poehler’s line from the Golden Globes, you must drink it out of old tuba parts.

ST: Hmm…Château Margaux? Yeah, like the movie and Wes Anderson, that should be pompous enough to get you through the movie.

“The Theory of Everything”

ST: A Four Horsemen, or any other cocktail concoction that leads to enough bad decisions you end up a cripple.  

“Selma”

ST: A big glass of tolerance!

DF: I could have went the classy route and picked one of Martin Luther King Jr.’s favorite drinks, but why do that when I can celebrate one of the biggest a-holes of the 20th Century. According to the staff at Lyndon Johnson’s Presidential Library, Cutty Sark was his favorite scotch. You don’t get to be a bastard by drinking the good stuff, I suppose. This was a man that used to hold meetings while he was on the can. I hope for the sake of his staff these meetings weren’t held after he downed Mexican food and this shitty whisky in equal measure.

“Whiplash”

DF: Despite my recent infatuation with bourbon and single-malt scotch, Johnnie Walker Blue remains a perfect choice no matter the occasion. Since “Whiplash” deals with the relentless, and, at times, bloody, pursuit of greatness, the film needs an equally accomplished cocktail. Pour Johnnie Walker Blue into a glass with a heavy bottom (no ice, you heathens) and enjoy Miles Teller wailing on a drum set. As an added bonus, you can hide in the box Johnnie Walker Blue comes in when J.K. Simmons starts calling you a pussy.

ST: It has to be something weak and disappointing, but that everyone likes for some reason. Bud Light, perhaps?

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