The Man Who Shot Out My Eye is Dead

The 10 Best Books of 2017 (So Far)

By Adam Vitcavage

The first half of 2017 brought an onslaught of so many terrific novels and short story collections, ranging from newcomers fresh off of getting their MFAs to the master of short stories finally releasing a novel. Then there were translations of beautiful work that introduced Americans to incredible writers from places like Argentina and France. Needless to say, regardless of what type of fiction you like, there was something for you to devour in the past six months. Here are 10 I read, couldn’t stop thinking about, and continually suggest to friends, families, and strangers.

One of the Boys by Daniel Magariel

An unnamed boy narrates the story about his father’s journey after a divorce. The boy and his older brother have been told countless times how evil their mother is. However, it turns out that the father is an addict and it’s all his fault. That’s the basic premise of Daniel Magariel’s debut. However, that doesn’t do the book justice. His novel is written with such heaviness in such a short amount of pages. He doesn’t waste time, and though your read can be over in less than a day, the content will stay with you long after.

Read my interview with the author.

Finding a distinct voice is the first benchmark any great writer must accomplish. Chanelle Benz, author of The Man Who Shot Out My Eye Is Dead, has created more than just a voice to stand out from the crowd. She’s created 10.

The stories in Benz’s debut collection are told from perspectives ranging from an eighteenth-century slave to a baroque-style piece told in the collective We. The book begins with a non-traditional western that pulls readers in close, then follows up with a contemporary story of family and violence that is just as gripping. It’s not just the wide-ranging eras and plots that make each story stand out; it’s the carefully crafted voices. Benz is a trained actress who learned presentation is everything when it comes to captivating an audience, and she translated that skill into her writing.

Read my interview with the author.

American War by Omar El Akkad

This literary speculative fiction is one I keep thinking about over and over. It’s set in 2074-2095 and there’s another American Civil War. A young girl sees the horrors of life and grows up fighting. The steps Sarat takes in life can be viewed as heroic or villainous. This book follows her arc from innocent child to what a human can be turned into during a time of war.

Homesick for Another World by Otessa Moshfegh

Eileen, Otessa Moshfegh’s debut novel, was one of 2015's best books. Even though her current short story collection was highly anticipated, it somehow sneaked up and surprised me. It’s filled with 14 bleak stories about offbeat loners, liars, and less-than-perfect people. The writer's grip on these unsteady characters is stellar; she never makes a farce of their desires. Even though she pushes the boundaries with expectations, the fringe-ness of Moshfegh’s stories are reeled back in by the protagonists. Expect the unexpected, as cliché as that sounds.

Lincoln in the Bardo by George Saunders

George Saunders is already one of the most prolific writers of this generation. His short stories have captivated the world for two decades. Since the release of his first collection, CivilWarLand in Bad Decline, in 1996, Saunders has published numerous books of prose, including the 2013 critical darling Tenth of December. This year, we finally have his first full-length novel, Lincoln in the Bardo. It’s the type of book only a master craftsman like Saunders could pull off.

The story, which tracks President Abraham Lincoln on a visit to the grave of his recently deceased son, is narrated largely by ghosts in the cemetery. At 60,000 words, this isn’t a traditional novel by any means. Expect to be tested by the writer’s prose and style.

Read my interview with the author

Black Moses by Alain Mabanckou

Technically this book may have come out in 2016, but the English translation came out recently and I devoured it. The French language is beautiful, but the prose is still gorgeous in this story. Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko a/k/a Moses grows up in an orphanage and turns to life in the underground crime world of the 1970s and 1980s.

Things We Lost in the Fire by Mariana Enriquez

Enriquez’ stories are vibrant depictions of her native Argentina, mostly Buenos Aires, as well as some ventures to surrounding countries. She fills the dozen stories with compelling characters in haunting stories that evaluate inequality, violence, and corruption. Characters range from social workers to street dwellers and even venture into dark magic users. With those characters, the author explores tourists in Argentina, the rich visiting the slums, and so many more dynamic areas of her home country.

Read my interview with the author

No One is Coming to Save Us by Stephanie Powell Watts

The characters’ desires in this novel purposefully echo the ones from F. Scott Fitzgerald’s classic The Great Gatsby. The parallels between the two works themes are obvious, but do not go into this thinking it's a retelling. Watts has crafted her own world built on rich characters and eloquent prose.

Read my interview with the author.

What It Means When a Man Falls from the Sky by Lesley Nneka Arimah

It’s mesmerizing what Arimah can do with a seemingly traditional idea and stretch it into something distinct. Stories include a generational tale about ghosts of war, a father’s attempts to protect his daughter, a woman desperate for a child, and more. However, there is much more to these stories than a simple fragmented synopsis. For instance, the mother who wants a child weaves one out of her hair. Get ready to be wowed by these stories.

Marlena by Julie Buntin

When high schooler Cat meets Marlena, her world changes. She experiences a series of firsts thanks to her new friend, but then Marlena ends up dead. This leaves a lasting mark on Cat and the story shifts from that year to decades later. Half of the novel is an ace coming-of-age story. The other enlightens readers on what happens after.

5 Short Story Collections by Women of Color You Need to Read Right Now

By Adam Vitcavage

Literature, for so much of its history, has been dominated by white men. The non-official canon boasts the likes of Twain and Hemingway to Chabon and DeLillo. In high school, while reading Fitzgerald, Miller, Steinbeck, and so many other white men, Harper Lee was the lone female that all of my friends seemed to have read. In college, I was obsessed with Salinger, Roth, Cheever, and Updike; enough so that I not so jokingly referred to them as The Beatles of American Literature.

Over the past couple of years, I spent time shying away from the traditional heavyweight white male writers, and sought out female writers. It’s easy. So many of my recent favorites (Jennifer Egan’s A Visit from the Goon Squad and Hanya Yanagihara’s A Little Life, to name a few) have been by women.

In addition to seeking well-written books by talented women, I also wanted to broaden my horizon even more by reading people of color. Again, this isn’t hard. So many of the most talent writers—Colson Whitehead, Jesmyn Ward, Aravind Adiga—are people of color who have written books that blew me away.

Recently, I had the chance to interview Mariana Enriquez—an immensely talented fiction writer and journalist who is Argentinean. Her most recently short story collection was translated into English and published as Things We Lost in the Fire this month.

Enriquez’ stories are vibrant depictions of her native Argentina, mostly Buenos Aires, as well as some ventures to surrounding countries. She fills the dozen stories with compelling characters in haunting stories that evaluate inequality, violence, and corruption. Characters range from social workers to street dwellers and even venture into dark magic users. With those characters, the author explores tourists in Argentina, the rich visiting the slums, plus so many more dynamic areas of her home country.

In December 2016, The New Yorker published “Spiderweb,” a story about a bad relationship growing more difficult. The story is a prime example of how Enriquez explores political themes, as well as her penchant to focus on the horrors of life.

The collection got me thinking about other short story collections by women of color I enjoyed recently. For the sake of saving (digital) space, I limited this to five recommendations that have been recently published. But, believe me, there are plenty more.

The Man Who Shot Out My Eye is Dead by Chanelle Benz

This collection of short stories succeeds in creating visceral voices over the course of centuries. Chanelle Benz is able to engage readers in invigorating stories about a 16th century monk to a 19th century baroque piece narrated by a chorus of We. "The West of Known,” the opening story, garnered Benz a lot of recognition when it was first published in The American Reader. The story earned her an O. Henry Prize and is an astonishing piece to introduce yourself to her writing. "James III" is a modern piece about violence and family that is narrated from the perspective of a high school freshman in Philadelphia. However, what stands out about Benz's writing is not the thought provoking plot; instead, it is the voice she is able to give James. He feels so real. So do all of her other narrators. Each one is a unique human who really lived. They're not just characters in a short story collection.

What is Not Yours is Not Yours by Helen Oyeyemi

Chances are you’ve read this book. It made nearly every “Best Of” list for 2016. But I’m here to make sure the rest of you who might have missed this collection why it’s great. While all of the collections I’m recommending are illuminating, I want to highlight Helen Oyeyemi’s originality and prose. Her novels are imaginative and she was able to take her toolkit and adapt them for stories extremely well. Throughout the collection, she uses keys and locks—figuratively and literally—as a foundation to hold the stories together. She’s able to produce expansive worlds in a limited space better than most writers are able to create in a full-length novel. She bends narratives’ structures until they nearly snap.

Whatever Happened to Interracial Love? by Kathleen Collins

Kathleen Collins might not be a name you recognize. She was a playwright, filmmaker, writer, and an African-American civil rights activist who died in her forties in 1988. So why is this 27-year-old white guy, whose life never overlapped with the author’s, writing about her? A collection of her stories called Whatever Happened to Interracial Love? knocked me on my ass, that's why. Her sixteen stories offer poignant insight into everyday life for African-Americans in the ‘70s and ‘80s. Collins earnestly invites readers into intimate stories like they were lifelong bosom buddies. The ease of the author’s writing balances the explosive content filling the collection, and while these stories are decades old, their themes are more relevant than ever at the close of one of the most racially turbulent years in modern history.

Difficult Women by Roxane Gay

In Bad Feminist, a collection of essays, Roxane Gay wrote eloquently about race, feminism, poverty and more in an accessible way. She continues to use her strong voice in this collection of short stories that take those same themes and waves them into stories of resilience and power. She avoids stereotypes within character development as well as plot. Her stories truly reflect modern America through the lens of black women. It is an invigorating read that is eye opening and enlightening.

In the Country by Mia Alvar

Most of these collections can almost be used in history classes to educate students on regions the writers know best. Alvar writes about the Philippines with a raw authenticity through a variety of lenses. Much like Gay’s collection, Alvar’s covers many different aspects of life in the Philippines; especially her hometown of Manila. Families deteriorate because of trust, or they grow stronger because of love. A foreign model learns the hard truths about a town. A bullied little boy finds and loses hope in an unlikely place. So many of her stories reveal the underbelly of a region not many Americans, especially white men like myself, ever think about. However, even if you’ve never read about the topics Alvar writes about, there is a familiarity to her themes and writing that is welcoming for any reader.

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